The pompadour fade haircut is a men’s haircut that combines classic pompadour with a taper fade. These haircuts have cool short sides and long, high-volume hair on top. The pompadour fade is very versatile. Wear it slicked back or loose and shiny.
Loose and messy pompadours look like a natural, laidback vibe, but you can also style it slicked back and polished for a more structured effect. What makes this cut even more versatile and unique is the variation of fades you can choose from!
Nick Jonas, Bruno Mars, Brad Pitt, and Justin Bieber each had their versions of a pomp complemented by a neat fade, styling it in an undercut, a hard side part, or a slicked-back. Celebrity barber Everson Perninha has tried working all kinds of fades with a classic pompadour, and the results on his feed are impressive!
You can easily create the pompadour-signature volume with strong hold products like pomade, clay, and wax. Beards can also add extra crisp when combined with a pomp and fade.
Before going to the barbershop, check out these photos of the most popular men’s pompadour fade haircuts.
#1: Textured Pompadour with Tapered Sides
Notice how the volume isn’t sitting upright like a classic pompadour. It’s pushed back and slightly off-center, which is what keeps this from looking stiff. The taper below the temples is scissor-cut, not clippered to skin, and that graduation is doing a lot of work to make the sides blend into the length on top without a hard line. You need medium to thick density for this. Thin hair will collapse flat within an hour, and no product saves that. The natural salt-and-pepper coming through at the temples actually helps the taper read as intentional texture rather than just shorter hair. Oval and rectangular face shapes wear this well because the height doesn’t need to compensate for anything.
#2 Loose Sweep Pomp with a Soft Mid Fade
Notice how the top isn’t slicked back or sculpted into a rigid shape. It’s finger-styled, with individual pieces separating naturally, which is what keeps this from looking like a costume. The fade starts mid-temple and graduates down without a hard line, blended with a clipper-over-comb transition that leaves enough weight around the ears to avoid looking severe. Medium density, straight hair, roughly three to four inches on top. This works well on oval and square face shapes where the forehead can handle the volume without elongating things too much. If your hair is curly or very thick, this exact result won’t happen for you. The texture here relies on hair that lies relatively flat when directed and holds separation with a light matte product. Round faces will just look rounder.
#3 Clean Mid Fade with a Low-Effort Front Lift
The fade here is doing most of the work, and that’s the point. Notice how the taper sits right at the temple and dissolves into skin just above the ear, which keeps the whole shape tight without making the top look dramatic. Maybe three inches on top, styled with fingers and a matte product, nothing more. This is a straight to medium-density hair cut. If your hair is coarse or curly, the front won’t sit this flat along the sides while still lifting at the crown. It will fight you. Oval and square face shapes wear this well because the proportions stay balanced, but round faces will want more height than this delivers. The one thing that won’t work: skipping your barber past four weeks. That fade line grows out fast and goes shapeless before anything else does.
#4 Short Pompadour with a Scissor-Cut Fade
Notice the fade here isn’t clipper-tight. It’s scissor-tapered, which leaves just enough grain on the sides to avoid that pasted-on look some guys get when the contrast is too sharp. The top is only about two to three inches, pushed up and forward with texture rather than slicked into a clean wave, so this reads more casual than classic pompadour. Works well for medium-density straight hair that’s starting to thin slightly at the temples because the texture hides recession without drawing attention to it. Round or square faces carry this well. If you have a long narrow face, the upward height will stretch your proportions in the wrong direction. This cut will not hold without product. Flat by lunch if you skip it.
#5 Finger-Styled Pomp with a Low Fade
Look at where the weight sits. It’s not stacked high at the front like most pompadours; the volume peaks about two inches back from the hairline, which keeps the whole shape from reading as costume-y. The fade is low and gradual, blended with clippers into what looks like a scissor-over-comb transition around the temples. Medium density, straight to slightly wavy hair, maybe three to four inches on top. This works well on oval and square faces because the height is restrained enough not to elongate anything too far. If your hair is fine or flat at the root, this exact look will collapse within an hour. That’s not a maybe. You need genuine thickness to hold this kind of unsculpted, finger-raked texture without product turning it into a helmet.
#6 Casual Pomp with a Quick-Blended Temple Fade
Notice how the weight sits right at the front hairline and then drops off fast through the temples. That transition is doing all the work here, and it’s clipper-over-comb blending, not a hard skin fade, which keeps things looking approachable instead of sharp. The top is maybe three inches, medium density, swept up and back with just enough product to hold without shine. This will not work on fine hair. You need real body to get that lift without backcombing or heavy product buildup. Oval and diamond face shapes wear this well because the height adds proportion without widening anything. Round faces, skip it.
#7 Salt-and-Pepper Pomp with a Seamless Skin Fade
The fade here drops lower behind the ear than at the temple, which is a small detail that keeps the shape from looking top-heavy on a narrower skull. Notice how the barber left enough weight in the crown to let the grey blend naturally into the darker blonde on top, rather than creating an obvious color line. That gradation is doing a lot of the work. This needs medium to thick, straight or wavy hair with at least three inches on top to get that pushed-back volume without product turning it into a helmet. If your hair is fine, this exact pomp will flatten within an hour. Oval and rectangular face shapes wear it well because the height doesn’t overextend the proportions. On round faces, it can make everything look wider below the temples. The cut itself is clean and grows out gracefully over three to four weeks, which is genuinely rare for a fade this tight near the skin.
#8 Blonde Swept-Back Pomp with a Scissor-Tapered Fade
Notice how the sides aren’t clipped down to skin. The whole fade is done with scissors and a comb, keeping the taper gradual enough that the natural blonde roots blend into the darker base without a harsh line. That’s the detail that makes this work on finer, straight hair. The top is about four inches, swept back loosely with some separation through the fingers, and it reads effortless because the texture is genuinely there, not forced with product. If your hair is thick or coarse, this exact shape will fight you all day. It won’t lie back like this. Oval and oblong face shapes wear it best since the height stays moderate and the sides stay close without exposing too much forehead. One thing worth knowing: this cut needs reshaping every three weeks or the taper loses definition fast, and on blonde hair, any outgrowth shows immediately.
#9 Wavy Pomp with a Natural Fade and Stubble Frame
Notice how the wave pattern does all the lifting here, not product. This is maybe three inches on top, left to curl and bunch forward on its own, with a low taper that dissolves into the skin just above the ear using clippers over comb to keep the transition soft. Straight hair won’t do this. You need medium to thick density with natural wave or curl to get that volume without blow-drying the life out of it every morning. Oval and diamond face shapes wear it well because the width stays contained by the fade, and the height up front elongates without adding bulk at the sides. The beard connection is worth paying attention to, the sideburn is trimmed tight enough that it reads as one continuous line from fade to jaw. If you have patchy growth along that path, the whole thing falls apart visually. This cut looks effortless in a photo and will genuinely feel low-maintenance for the first ten days, then it grows out fast and uneven and you’re back in the chair.
#10 Curly Pomp with a Gentle Taper and Greying Stubble
The taper here is barely there, and that’s the whole point. Notice how the sides are scissor-cut close enough to clean things up around the ears without exposing scalp or creating a hard contrast against those curls on top. Most guys with natural curl fight it into submission for a pompadour, but this one lets the texture do the lifting, keeping about three inches on top and just directing the volume forward and up. It reads as a pompadour because of the shape, not because of product or force. If your hair is straight, this exact result is not available to you. Oval and oblong face shapes wear this well because the height stays modest. One thing worth flagging: curly pompadours lose their shape fast in humidity, and no amount of styling cream fixes that.
#11 Lived-In Pomp with a Clipper-Over-Comb Taper
Notice how the weight sits just forward of the crown, not stacked high at the hairline. That placement is what keeps this from reading as try-hard. The sides are blended with a clipper-over-comb technique starting around a guard two, leaving enough density above the ears to avoid that pasted-on look. Medium density, slightly wavy hair is doing real work here. Straight hair won’t hold that tousled lift without serious product, and you’ll fight it daily. This suits oval and rectangular faces well, though round faces will lose definition because the volume is modest and wide rather than tall. The top is only about three inches, which is shorter than most pomps you’ll see on lists like this. It grows out poorly. Within three weeks the proportions flatten and the taper line gets muddy.
#12 Brushed-Up Pomp with a Conservative Low Taper
The taper here barely registers, which is the whole point. It sits low behind the ears with scissor work blending into maybe a #3 or #4 guard at most, keeping everything clean without any skin showing. That restraint is what makes this a weekday haircut and not just a weekend one. The top is about three to four inches of medium density straight hair with just enough natural wave to hold volume when finger-styled back and up. Notice how the weight line sits right at the corner of the forehead, not centered on the crown, giving lift where it actually matters for oval and rectangular faces. If your face is round, this much vertical height with this little side contrast will not do you any favors. This cut will lose its shape in about three weeks, and there is no getting around that with product alone.
#13 Pieced-Out Pomp with a Clean Mid Fade
Notice how the top isn’t smoothed back into one solid shape. Each piece separates, which only works because his hair has medium density and a slight natural wave giving it that grip. The fade starts mid-temple and tapers tight to the skin around the ears, blended with clippers rather than scissor-cut, and that clean line is doing a lot of the heavy lifting here. This cut flatters oval and angular face shapes well. Round faces will find the volume on top helpful, but the tight sides can emphasize width at the jawline in a way that works against you. If your hair is fine or flat, you will not get this separation without serious product, and even then it will collapse by noon. Thick, straight hair won’t cooperate either because those individual pieces need some texture to hold apart naturally. The sweet spot is medium-weight hair with just enough movement to stay where you push it.
#14 Undone Wavy Pomp with a Tight Scissor Taper
Notice how the weight sits entirely in the front third of the head. The sides are scissor-tapered close enough to feel clean but left long enough that you can see the natural grain of the hair curling slightly behind the ear, which tells me no clippers touched this cut. That’s a deliberate choice, and it only works with medium to thick density because fine hair scissor-tapered this tight just looks sparse. The top is maybe three to four inches, pushed up and forward with what looks like a light cream or salt spray, nothing heavy. It falls where it wants to. If you have natural wave or loose curl, this is one of those cuts that genuinely looks better on day two than day one. Round or oval faces wear this well because the height up front lengthens everything without trying hard. Square jaws can pull it off too. If your hair is pin straight, skip this one entirely because you will fight it every morning and lose.
#15 Swept-Back Pomp with a Tapered Neckline and Light Hold
Notice how the taper doesn’t start until well below the temples, which keeps the sides from looking too tight against his angular jaw. That’s a deliberate choice. The top is maybe three inches, straight and medium density, combed back with enough product to hold direction without looking wet or stiff. This will not work on thick, coarse hair unless you’re willing to blow-dry it into submission every single morning. For guys with straight, finer hair and an oval or rectangular face, this is one of the most wearable pompadours you can get because it reads clean without trying hard. The neckline is pointed and natural, tapered with a clipper-over-comb blend that keeps everything close to the head without any harsh lines.
#16 Dirty Blonde Pomp with a Scissor-Blended Side Taper
Notice how the sideburns are left almost raw, barely cleaned up, while the taper above the ear is precise scissor work. That contrast is doing all the heavy lifting here. The top has maybe two and a half inches, finger-directed forward and up with very little product, which gives it that lived-in movement without looking styled at all. This won’t work if your hair is fine and flat. You need medium to thick density or the front lift just collapses by noon. Oblong faces should probably skip this one because the height on top only stretches things further. For square or round face shapes, though, this is a strong call. It will not survive humidity.
#17 Tousled Front Lift with a Hand-Blended Side Taper
Notice how the sides aren’t clipped tight at all. The taper here is done entirely with scissors, leaving enough texture that the transition from top to sides feels gradual and natural rather than carved. The top is maybe three inches, worked forward and up with fingers, not a comb, which is why it reads relaxed instead of styled. This works best on medium-density hair with some natural wave or movement, because straight hair won’t hold that tousled lift without heavier product. If your hair is fine or flat on top, this particular shape will collapse within an hour. Oval and rectangular faces wear it well. Round faces, less so, since the fullness at the temples does nothing to add length. One thing worth flagging: the slight curl catching light near the front is doing real work here, giving the whole cut its character without any obvious effort.
#18 Razor-Sharp Side Fade with a Lifted Front on Straight, Thick Hair
Notice how the fade line sits just above the ear and climbs at a steep diagonal toward the temple, which is what keeps the sides from looking boxy on a wider head. This only works with dense, straight hair because the front section needs enough body to hold that upward sweep without collapsing by lunch. The top is maybe three to four inches, directed back and slightly off-center with what looks like a matte clay or light pomade. Thin hair will not do this. If your hair lies flat no matter what you put in it, pick a different cut entirely. The clipper-to-scissor transition on the sides is tight and deliberate, blended close enough that you can see scalp through the lowest half inch. Oval and oblong face shapes wear this well because the height on top doesn’t need to compensate for anything. Round or square faces could go shorter on top to avoid adding too much vertical length.
#19 Light Blonde Pomp with a Tight Temple Blend and Natural Roots
Notice how the darker roots at the temples do all the visual work of a fade even though the actual blend is minimal. That’s clipper-over-comb tapering kept conservative, maybe a #3 into the parietal ridge, with the top left long enough to push back into a soft wave. This only works on medium-density straight hair. Fine hair will collapse within an hour and you’ll be left with a flat mess no product can rescue. Oval and rectangular face shapes wear this well because the volume on top doesn’t need to correct anything, it just adds proportion where it already exists. If your face is round, this much height with this little side weight will exaggerate width at the cheekbones. The blonde is doing something subtle here too, with warmer ash tones left intact at the root so the lift reads natural instead of processed.
#20 Polished Side-Swept Pomp with a Gradual Temple Fade
Notice how the weight line sits just above the temples, not at the parietal ridge where most barbers default. That lower transition keeps the sides from looking boxy on wider cheekbones, and it’s what makes this particular cut feel proportional on a rounder face shape. The top is about three to four inches of straight, dense hair swept back and slightly off-center with a water-based pomade or a light cream, enough to separate the strands without locking them down. This will not work on fine hair. You need genuine density up top or the whole front section collapses flat within an hour. The fade itself is conservative, blended with a clipper-over-comb technique through the temples that leaves enough length to avoid a stark contrast against the skin. On someone with thick, straight East Asian hair, this is one of the most reliable pompadour shapes because the hair holds direction without fighting you.
#21 Glossy Swept-Back Pomp with a Shadow Fade on Thick Straight Hair
That fade line sitting just above the ear is doing real work here, because without it the density on top would make the sides look heavy and disconnected. This is thick, straight, coarse Asian hair combed back with a medium-shine pomade, and the volume at the front holds its shape without looking stiff because the hair itself is doing most of the lifting. Notice how the taper behind the ear stays gradual rather than dropping to skin, which keeps the whole profile clean without going aggressive. If your hair is fine or wavy, this exact look will collapse on you within an hour. Won’t happen. You need genuine density and a cooperative growth direction to pull this off, and if you have it, this is one of the most reliable pompadours you can wear to work or out on a weekend without adjusting a thing. The one catch is the product commitment: skip the pomade and this reads as flat and greasy instead of intentional.
#22 Subtle Pomp with a Scissor-Faded Side and Finger-Raked Volume
The sides here are entirely scissor work, no clippers, which is why the taper looks so gradual and lived-in rather than carved. Notice how the weight above the ear hasn’t been taken too short, leaving just enough density that the transition into the top feels continuous instead of staged. This is medium-density, straight to slightly wavy hair with maybe three inches on top, raked back with fingers and a matte product. Works well on oval and oblong faces because the lift is restrained and the sides aren’t pulling everything tight. Round faces will struggle because there’s not enough height or contrast to add structure. If your hair is fine, this exact look will go flat within an hour of styling.
#23 Compact Pomp with a Clipper-Tight Side and No Product Shine
Notice how dry the finish is. There’s product in there, probably a matte clay or paste, but it reads as bare hair, and that’s what makes this particular pomp feel workable for guys who hate looking like they tried. The sides are taken tight with clippers, graduating smoothly into maybe two and a half inches on top, which is just enough length to push up and slightly forward without building real height. This won’t work on fine hair. The top holds its shape because the density is doing the heavy lifting, and without that thickness you’ll get a flat, wispy mess by noon. Square and oval faces wear this well since the proportions stay close to the head and don’t add width or excessive vertical length. One thing most people will miss: the taper behind the ear is left slightly longer than the temple area, which keeps the profile from looking too military. It’s a small choice that makes the whole cut feel intentional rather than standard.
#24 Relaxed Wavy Pomp with a Clipper-Tapered Temple and Natural Texture
Notice how the wave pattern on top isn’t uniform. That’s real texture, not blow-dried into place, and it’s doing most of the work here. The sides are taken down with a clipper-over-comb blend that keeps enough length to avoid a hard contrast against the longer top, which sits maybe three inches at its tallest point. Medium to thick hair with natural wave is what makes this cut land. Straight hair will just flop forward. Oval and oblong face shapes wear it well because the volume isn’t exaggerated enough to add length. If your hair is fine, this will not look like this on you. The greying at the temples actually feeds into the fade in a way that makes the blend feel seamless, and a barber who rushes the transition zone will wreck that entirely.
#25 Swept-Back Texture Pomp with a Grown-Out Temple Taper
Notice how the taper isn’t freshly cut. It’s about two weeks grown out, and that’s actually what makes this work, because the gradient from the temple into the longer top feels organic rather than carved. The top is maybe three to four inches, swept back with just enough product to hold direction without flattening the individual strand separation. Straight to slightly wavy, medium-density hair. This will not hold on fine hair without heavy product, and then you lose the whole point. The scissor work through the crown keeps weight distributed evenly so the pomp doesn’t puff out at the back while collapsing at the front. Round or square face shapes wear this well since the height and backward sweep lengthen the profile. If your hair is coarse and thick, you’re the ideal candidate.
#26 Matte Pomp with a Tight Taper and Forward-Falling Texture
The taper here is doing all the heavy lifting, taken down close with clippers around the ear and neckline while the weight line stays high enough that the top reads as full without being bulky. What’s worth noticing is how the front section isn’t pushed straight up or back but allowed to kick slightly forward and to the side, which is a smarter move on straight, thick Asian hair that tends to resist staying swept back without heavy product. No shine, no sculpted edges. This is a dry, matte finish that looks like he ran his fingers through it once and left. It works best on medium to high density hair with a straight texture, and oval or oblong face shapes benefit from how the volume stays compact. If your hair is fine or wavy, this exact shape will not hold. Won’t happen. The lack of defined parting means regrowth looks clean for a few weeks, which is a real plus if you’re not in the chair every three weeks.
#27 Textured Lift with a Clipper-Over-Comb Drop Fade
The fade drops behind the ear here instead of following a straight horizontal line, which is what keeps the back of the head from looking flat in profile. That detail matters more than people realize. Up top there’s about three inches of medium-density wavy hair pushed forward and slightly upward with what looks like a matte clay, just enough product to separate the strands without any wet look. This works on oval and oblong faces especially well because the volume stays compact and doesn’t add excessive height. If your hair is pin-straight, you will not get this texture without a blow dryer and salt spray every single morning. The stubble ties it together in a way that a clean shave wouldn’t.
#28: Modern Pompadour Fade with Textured Top
This modern pompadour fade features a voluminous, textured top that showcases medium-length hair, ideal for adding height and style. The fade on the sides creates a sharp contrast, making it perfect for oval or square face shapes. The model’s thick, straight hair enhances the overall look, allowing for easy styling with a pomade or styling cream. This haircut is distinctive for its blend of classic and contemporary elements, providing a polished appearance with minimal upkeep.
#29: Very High Pomp
This very high pomp is a cool style. The hair is faded perfectly on the sides. The top is left long for height. This style suits round and square face shapes because it lengthens the face. It also fits any timeless look, whether parted to the side or styled up. To get the best results, use a paddle brush on damp hair. This will help you style the long top away from your face. For all-day hold, apply Ruezel’s Concrete hold matte pomade onto your dry hair and finish with hairspray for all-day, trouble-free hold.
#30: Pomp with a Mid Fade
The pompadour has been around for years, and modern twists have been popping up since the first one. This pomp has been coupled with a mid fade leaving enough weight to transition into the height. When it comes to this mid fade with pompadour style, thicker hair helps with creating volume. It would be best if you blew dry some volume spray into it and finished with a light paste. I advise avoiding this style if you have a long face shape, as it can elongate your face more.
#31: Slicked Up Pomp with a Mid Fade
The pomp with a mid fade is a stylish and versatile haircut option for men with thick hair. This haircut features longer hair on top styled into the pomp. This creates volume and height, while the mid fade on the sides adds a sleek and clean look to the overall style. This haircut works well for those with thick hair, as the volume on top can be easily achieved. To maintain this look, use a styling product like pomade or wax to add shine and hold to the hair. Use a comb or your fingers to shape the pomp into place gently into place. There is little to be aware of while wearing this haircut. I recommend asking your stylist for a haircut maintenance routine based on the texture and density of your hair.
#32: Pomp Fade with a Surgical Line Design
If you want to wear your hair different from the rest, consider this pomp fade with a surgical design! Remember that this is not a service that all barbers and stylists provide. So do your research to find someone who can execute this look for you!
#33: Glossy Slicked-Back Pomp
The slick-backed pomp is an absolute classic that will always be on-trend. This retro style has been taken down to the skin and faded at the mid point into the top. This will need styling every day, so ensure you have the time to do so. You will need a good glossy pomade to create the hold and style and a trip to your barber every 2-3 weeks to keep it looking fresh.
#34: Modern Pompadour Undercut Fade
Rock and rollin’ til the mornin’ with this modern pompadour undercut fade! There’s another way to style an undercut pompadour fade with short sides.
#35: Brushed Up Pomp with a Beard
One of the most classic styles is the pompadour, and a brushed-up pomp couples well with a beard. The sides tapered to the skin and faded into the beard to finish the look. If you style this every morning, you can rock the look daily. The best way to style it is to blow dry it up with volume spray, shape it with a light paste and finish off with hairspray to hold.
#36: Long Hair Pomp with Drop Fade
A long hair pomp with a drop fade is ideal for keeping it long on top. The drop fade makes it easier to blend into the pomp. You want a pompadour, not a disconnected haircut. There’s a big difference, so keep that in mind.
#37: Textured Pompadour with Razor Fade for Curly Hair
A textured pompadour with a razor fade for curly hair is a great style because minimal product is needed. Grow your hair out a little bit more to lay better on top. A curly pompadour is still a great style at a shorter length, as you can train your hair as it gets longer.
Related: Best haircuts for guys with curly hair.
#38: Low Taper Fade Pomp on Thin Hair
The lower taper fade pomp on thin hair brings the focus away from the density and instead embraces the lightweight qualities thinning hair has. Bringing the sides in and tapering low, the hair does not have to cover as much space and brings focus to the sleek, sophisticated volume on top. To encourage the medium pompadour hairstyle to be styled back without parting, the top is blown dry with a Demi or medium round brush and a volumizing hair mousse or gel. A light pomade or hair spray finishes the look and helps keep the thin hair in place all day.
#39: Razor Faded Pompadour
Using a razor makes a smooth transition from skin to medium fade on this pompadour. The perfect form makes the look all put together!
#40: Short Pompadour Fade Haircut
The fine lines hit it home for this short pompadour fade haircut. Not too much going up top. It’s just the right height for short hair styles to have a modest cut.
#41: Loose Pomp Fade for Men’s Hair Style
Here for a good time and a long time, this loose pompadour fade hairstyle has been transcendent for numerous generations. It isn’t the typical old school or classic pompadour hairstyle, showing an upgraded quiff finish.
#42: Skin Fade Pompadour
Tricky layers keep this skin fade pompadour so smooth and sharp. This keeps your hair full and few at the same time!
#43: Side Part Pompadour
Tame those wild, faded pompadours by combing them over to the sides. This side-part pompadour gives a casual, chill vibe while keeping everything professional.
#44: Pompadour Comb Over Fade
As the name suggests, a pompadour comb over fade is an easy style to do. Have a comb, wax, and some self-confidence, and you’ll be rocking this classic style of cut in no time.
#45: Hard Part Pompadour
I can’t even imagine the suaveness of having a polished hard part pompadour with a skin fade. The surgical line that defines the edges of fluff and shaved skin has been put together well.
#46: High Fade Pompadour for Thick Hair
Ideal for guys with thick hair, this is a high fade pompadour that offers a clean and manageable cut without losing all the length. Recreate it by shaving the sides neatly, leaving longer hair as you go up.
#47: Low Fade Pompadour
A softer approach to having shaved sides is to opt for a low fade pompadour. Hair in layers is rolled at the back while having a gradual fade at the sides. Ask your barber if it will work for your hair length and texture.
#48: Long Pompadour Fade
Keep the pomp high on top, subtly giving you more height and volume. The fade could connect to the beard for a more polished look. This style will flatter men with straight to wavy hair.
#49: Pompadour Fade with Beard
This pompadour fade with a beard makes a style that provides a masculine approach to hiding your age. It proves that a faded-out hairline serves a youthful look!
#50: Taper Fade Pompadour
This pompadour taper fade haircut will help you ease into having fades that flatter you. It’s great for men trying out those near-scalp cuts. Opt for the razor fade to mimic the sides, as it’s one of the easiest techniques to achieve it.
#51: Mid Fade Pompadour
Cutting skin short at mid-length is a great way to ease a mid-fade pompadour. This haircut is perfect for gents with straight or wavy hair texture who prefer a neat mid-skin fade to match their facial hair.
#52: Bald Fade Pompadour
Only the sleekest barbers could master this pompadour bald fade cut! The connection with the beard, the edges, and the comb-over style is the perfect package you can get any time! Also, this high skin fade is complete with a precise line-up.
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