I have clients who want to keep their hair long, but say that long hair makes them look older. I want to say, “It’s not the length, it’s how the length looks.” But long shags can solve that problem. They create movement in the hair instead of it just hanging. While the right layers do most of the work, they have to be in the right places and that’s where the cut gets fun. I remember a client in her mid 60s a couple years ago. She had beautiful bone structure and a stunning face, but she grown all her hair out for two years. She felt so invisible and wanted to cut it all off. I convinced her to get a long shag, and as I was restyling her she looked in the mirror and exclaimed, “Oh, there I am!” That’s the magic of this cut when it’s done well. It won’t make you look younger, but it will make you look like you. Each of these styles has techniques and differing levels of success, but the most successful styles truly stand out.
#1: Dark Shag with Choppy Bangs and Lived-In Texture
I love this shag cut! The bangs are very choppy, which most stylists would avoid doing on clients over sixty, but in this case, it works. This shag is all about rock-and-roll confidence. The crown has great height because of the real layers, and it tapers down into longer, more relaxed pieces that give that classic shag silhouette, like the hair has its own opinions. The color is a dark, consistent shade, and it doesn’t have any highlights to distract from the shape. I think it was right not to add color because it isn’t needed to make the structure of this cut interesting.
#2 Textured Dirty Blonde Shag with Shaggy Bangs
I believe saying this is the most shaggy haircut I’ve seen would be an achievement. The bangs are choppy and sort of look unprofessionally done. The layers are stacked in a rough way, creating height without the need for backcombing. Everything also tapers nicely to separated pieces at the bottom, which haven’t been touched. The dirty blonde color is beautiful and varied, allowing for pure light and shadow to make the layers look better instead of just one boring color. I would say this would have the highest maintenance level. She would need a stylist who really understands the difference between undone and unkempt because it is a finer line than most people realize, and if it grows out too much, it would just look messy.
#3 Chocolate Brunette Shag with Glossy Layers and Fringe
The glossiness of the hair really sells the entire cut. This chocolate brown color looks almost wet because of its shine. That reflective quality captures the detail of each layer, while the layers go unnoticed with dull hair. The fringe is cut above the eyebrows and blended into the longer curtain pieces, which is sleeker than a lot of the other bangs in this collection. This detail really frames the face nicely and provides a good balance. There are a lot of layers in the middle section and, as they go down to the ends which is hair with a lot of natural volume, the layers become more subdued, which is a good choice. A periodic gloss treatment would be needed to keep the color this rich in between appointments.
#4 Windswept Silver Shag with Airy Texture
What do I think of when someone says they want to start embracing their silver, but are afraid it will fall flat? I think of layers that create enough texture and movement so that the hair looks like it’s blowing in the wind. The bangs are long, wispy, and pulled to one side so that they blend into the face-framing layers. There is some intended softness to the texture, and the blush pink top she’s wearing is one of the few colors that helps silver hair look warmer instead of cooler. If I had a client who showed me this photo, I would be excited because there is a lot of artistry in making fine silver hair look this alive!
#5 Icy Platinum Shag with Soft Flowing Layers
I love the simplicity of the look. The platinum in the hair is enriched by warm roots which prevent it from looking overly synthetic. The muted layers are also appreciated, as they catch the light and provide more dimension without being too present. The whole shape has a fluid quality, which is something you don’t always see in a shag. It shows that the cut was layered gently and possibly unidirectional rather than bluntly cut. The pale blue she is wearing works nicely with the silver reflections in the hair that almost look translucent. The combination creates a person who is at ease with herself and it is stunning.
#6 Salt-and-Pepper Shag with Sweeping Silver Layers
The transition from dark roots to long silver and the length of the hair looks like the color has possibly been growing out for the longest time. The shag layers create the gradient because every layer is catching a different stage of silver. The lightest pieces are face framing layers which brighten the eye and cheek areas without any coloring. The cut has more top layers that graduate to less bottom layers that are more bottom heavy long sections which give the fullness where needed. With that warm coral and pink color she is wearing, the cool silver looks almost luminous.
#7 Warm Dark Shag with Tousled Layered Movement
This style inspires me to embrace my love for freedom and the wildness of nature. The shorter layers on top and in the middle create a stacked effect so that each layer can move on its own. The warm burgundy under tones of the dark brown color create just the right amount of contrast with the bangs which are long and piecy and pushed off to the side with little to no effort. The snarls and messiness are just right for this look. The style is relaxed and seems to be appropriate for any occasion going from errands to grabbing dinner.
#8 Jet Black Shag with Swooping Side Bangs
Your jet black hair is a statement piece in its own right, and the shag cut makes sure that statement isn’t overpowering. The side swept bangs blend in with the longer pieces that frame the forehead and jaw and help to achieve that layered look without being too obvious. There is plenty of volume throughout the crown and mid lengths which makes the entire cut effortless to move and play around with. With the blue outfit she is wearing, the black hair has a really striking blue black sheen to it. The main goal with black hair this long is to keep it looking shiny and healthy as dull looking black hair can look really heavy while shiny black hair looks super expensive. Often times just a good shine spray will do the trick.
#9 Wavy Dark Brunette Shag with Center-Part Bangs
This shag haircut embraces the natural wave pattern in the hair instead of trying to fight against them. The bangs are parted down the middle and let the waves take over, resulting in the hair falling into loose bends. These bends are very subtle and flowy. This true dark brunette hair has a few lighter woven pieces that only show in the curves of the waves. That kind of detail makes a colorist’s work look effortless. Cuts that allow the texture to shine are my favorite and this one really doesn’t need anything else. The only product I’d put in is a curl defining cream while the hair is damp.
#10 Warm Strawberry Shag with Long Textured Fringe
These layers are amazing! I love how they are high and short through the crown and layer down into uneven and textured pieces which create a lot of movement. The warm strawberry color catches the light beautifully. The fringe is long enough to be styled in multiple ways and is shaggy enough to give the cut some edge. I think if I am being picky, a slight clean up on the very bottom where the thin ends trail off would be good because that is where the long shags start to look neglected instead of intentional. But the structure of this cut looks really good and on the right texture, it would practically style itself!
#11 Sandy Blonde Shag with Tousled Beachy Texture
The most important thing here is the texture. It’s a second day look where the waves have loosened and the pieces have separated just enough to show the layers without looking too styled. The sandy blonde has depth at the roots and brightness through the mids. It’s got a coastal vibe, which I find tends to compliment women who are more outdoorsy and less mirror-focused, and I think that’s the best compliment a hairstyle can get. The bangs are chunky and a bit messy, and they work for her completely.
#12 Soft Blonde Shag with Wispy Curtain Fringe
I love this cut. The long layers and soft bangs on the side are so cute! The blonde shade is such a nice pale color and the sandy undertone mean it won’t go washed out. It looks so well taken care of and the styling looks like it was done over time, instead of just a big chop. I would show this to the people who say they wanna look like themselves but better.
#13 Golden Blonde Shag with Feathered Curtain Layers
This type of cut brings to mind women I admired in the 80s, but it has been updated to feel more modern and not like a costume. The layers are making a good structural contribution by fanning out from the crown to the mid-lengths which gives it lift without any teasing or heavy products. The curtain bangs are parted enough to keep the forehead exposed, and the golden blonde color is warm and feels like it belongs to her as opposed to being a color that she picked from the swatch book. nnIf you have medium to thick hair and have been in a one-length rut, this is a beautiful way to let it breathe again.
#14 Rich Copper Shag with Long Sweeping Layers
The color is what first struck me. It’s a true copper, not an auburn, and certainly not a warm brown with copper flecks. Her confidence in wearing this color makes it work in a way that more timid versions wouldn’t. For this shag, the top and middle layers are heavily layered, so the shorter bits catch the light and create the illusion of three times the amount of hair. The very bottom pieces are left a little longer and thinner for movement without looking straggly. This is the kind of cut I’d recommend for people whose hair is a statement.
#15 Champagne Blonde Shag with Feathered Side Part
The side part is a great distraction from the front of the hair. I feel like a center part would make the hair look more flat. I like how the longer fringe section drapes over one eye and flares out on the other. It gives a nice frame and adds some direction to the shape that it would otherwise lack. The blond is a soft champagne color which is a nice in between that is neither fully warm nor fully cool. Her blonde also fades into her roots which gives her a more low maintenance look that extends the time between appointments. The layers of this haircut are more spaced out giving a nice effect to the thinner hair. The loose layers maintain a look of fullness without overdoing it on the hair.
#16 Warm Brunette Shag with Curtain Bangs and Tousled Ends
I really love the texture on the bottom half. The ends are doing their own thing, and that works. The layers above give enough structure so that the little bit of chaos on the bottom feels deliberate. The curtain bangs are sheer and that was a good move. With this texture, thicker bangs would make the rest of the hair look like they were at odds. The warm brunette with subtle carmel highlights in the face-framing pieces is just enough to keep it from blending into one solid color. This looks real hair, lived in and cozy, and I mean that in the best possible way.
#17 Long Silver Gray Shag with Dramatic Face Framing
I am going to mention some bravery required to grow out grey hair this long, and then wear it like this, especially considering how much most people tend to underestimate it. The layering has been graduated from shorter and shorter as you go up, to longer and longer as you go down, which creates that waterfall effect where the hair moves in different stages. The darker roots to silver blend through the lengths is something that no colorist could really top. The deep green she is wearing is quite phenomenal. However, this is a cut that requires hair in good condition. Grey hair shows dryness faster than anything. So a deep conditioning mask every week would be non negotiable.
#18 Sun-Kissed Bronde Shag with Effortless Movement
The quality of the color and the bronde is done so well that it nearly looks natural! The layers have been styled so that, well, they aren’t “styled” in the traditional sense, they just fall into place, which is always the end goal, though I’m sure it takes a ton of work to achieve that. I particularly like the uncomplicated interaction of the color and the cut. The face framing layers are just long enough to be tucked behind the ear, which is an often overlooked detail but very practical. The warmth the color brings to the entire look is lovely, and I actually mean this as a compliment for a cut with so many layers: it would suit anyone.
#19 Strawberry Blonde Shag with Full Curtain Bangs
Clients have asked me if they are ‘too old for bangs’ and I always respond with ‘No you are not too old for bangs’! These curtain bangs are the perfect density to frame the forehead, and not too thick to look like a wall bang. The ends of the hair are sun-kissed strawberry blond which contributes to the more relaxed vibe. The shag layers beging around the chin and grade into longer soft pieces. There is a good amount of hair and the cut is controlling it well. Before commiting to this exact approach on finer textures, I’d be curious to see how this holds up in humidity.
#20 Lived-In Ash Blonde Shag with Textured Bangs
This one has the shag style I always look for, where the hair just looks like she woke up and it fell this way. The bangs look wispy and imperfect and are slightly parted in the middle with some longer pieces on either side. That kind of asymmetry is what gives the whole look life. The ashy blonde has warm strands woven through the mids which help it not look too cool against her skin. This is the toughest shag to recreate at home because it requires a lot of that effortless texture which most people have to achieve by using texturizing spray.
#21 Espresso Shag with Feathered Volume and Caramel Ribbons
I love how much shape and volume layered cuts create right at the top of the head. With the volume starting around ear level, it looks like it just happened naturally. As for the highlights, I think the combination is best for the depth at the top. I appreciate how scattered the highlights are; the right amount to not look stripy and create depth. The caramel shades gave a great contrast to her dark brown base. The length goes well past the shoulders, but the layers make sure it doesn’t feel heavy. I would absolutely recommend this to anyone with thick, slightly coarse hair who has been told they need to go shorter.
#22 Soft Brunette Shag with Side-Swept Fringe
Some styles are just an instant win and this is one of those. The shag layers are a little more conservative so most of the layering is happening from the chin down. This keeps the overall shape nicer and gives the ends that perfect little flick of movement. The bangs just kind of sweep across and sit there, which is nice because they won’t have to be constantly readjusted. This is what I would consider the entry point for people interested in a shag but are apprehensive about going too far because it definitely reads more as a beautifully layered cut than anything else. The dark brunette is rich and even, the type of color that would require a gloss every few months to keep it from looking flat, but other than that it is wonderfully low-maintenance.
#23 Silver Waterfall Shag with Wispy Face Framing
This silver jewelry paired with the plum color of her dress looks beautiful. And we love the stylist’s decision to leave the hair a bit messy like that. The starting point of the layers is also a lot higher than we would consider average and they fall in long, sweeping motions so will reflect light in a multitude of different ways. The ends of the hair are quite piece-y — an effect that can appear dry on coarser hair, so I would recommend a lightweight hair oil on the last few inches of hair before trying this out — but end it looking more intentional. The face framing pieces are also beautifully sparse and narrow and the instinct was right for the rest of the hair to have this much body.
#24 Voluminous Dark Curls with Cascading Layers
There is so much joy in this hair, and I can tell that a good round brush and lots of patience were involved in the blowout with how full and bouncy the curls are. These layers really make the shag stand out even more, and not just because of the blowout. The volume starts near the crown instead of the ends, and the shorter layers at the face really have a good outward flip. I love the commitment this cut requires, and I know it’s not for everyone. Someone like this with the right hair will really appreciate the work as it’ll show the payoff more than the hair.
#25 Auburn Shag with Bangs That Actually Earn Their Keep
The bangs complete this look. They are soft enough to push out of the way yet are precise enough to add structure. Balancing these two factors is harder than it looks. The auburn color is flattering to her complexion and brings warmth to her skin tone without looking too overdone. She has fine hair so it is correct to keep the layers at a minimum so that overall density is preserved. She will want to come in every 6 to 8 weeks to keep the bangs from being annoying, but the rest of the cut will have a grace period.
#26 Shoulder-Length Layers with Quiet Dimension
This one’s good because it doesn’t demand much of the wearer. The layers are low-maintenance and let the hair fall in a thoughtful way without looking like too much. Hair just below the shoulders is lovely- easy to pull back when it’s time to focus, and really pretty down. The highlights are great and just as subtle as they should be. I suspect this style will only get better with time, and that’s the highest compliment I can give!
#27 Warm Waves with Real Texture Through the Ends
The waves and the overall texture here really help carry this look. Without these waves, the hair would appear super one-dimensional, but the stylist really understood how to get the most out of this. The colour is warm and natural with a deep amber undertone that’s not brassy. I would recommend keeping a texturising spray handy for hair like this to revive movement in between washes. This length can lose a bit of energy after a couple of days, but in my experience, it only takes a little bit of product to pull it back together.
#28 Light Blonde Layers That Breathe
This style looks very light and airy. The layers reaching the chin help give the hair the illusion of fullness and do not add any weight, which is especially important for fine hair. The blonding technique used here is also very good, it helps give the layers brightness and makes each piece of hair catch the light at different angles. I must say, those waves are going to be a bit of a challenge every morning. You’ll definitely need a large barrel curling iron to do it and you’ll have to wrap each section for 30 seconds to get a look like this, so waking up and going isn’t going to be an option like it looks.
#29 Feathered Shag with That Easy, Undone Quality
The soft feathering isn’t reminiscent of heavy hand work from the 80’s, rather it modern and has a tapers at the end that allows the hair to move as a unit. It falls just past the shoulders, which leaves room for good layering without the weight of the layers dragging them down. I would love to send someone home with this cut. The hair does the work, and with wavy hair, self styling with a blow dry and round brush is a guarantee.
#30 Flowy Blonde Layers with a Soft Landing
I appreciate the finishing on these layers. Rather than an obvious stop, they almost vanish creating movement through the ends even when the hair is stationary. The blonde with subtle highlights through the mid lengths is the perfect amount of contrast. The color is intriguing while avoiding the look of a color project. This shape especially suits oval and heart shapes, but the soft finish of the layering is sufficiently versatile to work on most. The only non negotiable is regular trims to prevent the hair from looking weighed down.
#31 White Shag with Layers That Frame Without Crowding
I value the amount of presence this cut has without being fussy. White is incredibly illuminating when it comes to the face, and the layers seem to be placed to enhance, rather than compete with, that. They are face-framing and most definitely not heavy. They are more of a suggestion than a statement, and with hair this length, that restraint pays off. The slight wave ensures just enough body to the hair to hold its shape throughout the day. This is the kind of cut that could air dry and still look like a lot of thought went into it, which, for a lot of my clients over sixty, is exactly the point.
#32 Subtle Layered Shag with Easy Movement
The reason this one works is due to it looking so minimal yet being the exact opposite, allowing the hair to move as it needs to. The ample, shoulder length cut provides enough weight to fine and medium density hair so the layers actually show up. This is a true low-maintenance cut, the type where you could go an extra week or two without washing and it would still appear intentional. I would especially recommend it to those wanting something more simple, though it is particularly flattering on heart and oval face shapes.
#33 Full Layered Shag with Natural Body
There’s a clear understanding from the stylist of what to do with thick and wavy hair, as I can tell this volume is coming from the actual cut and not from product or heat. Hair like this tends to puff out, and they didn’t fight that. Instead, they directed the waves, which look good around the face and not overly styled. I really like this cut for how much it works with the natural texture of the hair. The downside is that without even a little bit of regular styling those waves could look less intentional and more messy, and in this case, a consistent routine is a must.
#34 Soft Bangs with Volume Through the Crown
The bangs feel modern and unique to this hair cut. The bangs are nice and not as strong as blunt bangs and also not as wispy as other bangs. They get nice and frame the face and the other layers in the cut follow the same principle as the bangs. The other layers are still soft and nice and wigh tdont the cut down. The crown has nice volume and when this happens with fine/medium hair, it usually means that someone skill layered it. The length is right below the shoulders so it gives it that swing and nice movement. It is easy to maintain just with a blow dry. I would love to see her again in the next five weeks to keep the bangs at that nice sweet spot.
#35 Feathered Layers with a Lighter Feel
The cut appears to be perfectly executed because it doesn’t make the hair look too thin. The feathering is soft and transient, which is the aim of the cut. The hair moves beautifully the way it slides over the shoulders. For a client over sixty, wanting fullness without weight, this is ideal. On the days the hair looks too flat, applying a volumizing mousse at the roots before blow drying will give the needed lift.
#36 Lavender Shag with Personality
I wonder what goes through someone over sixty’s mind to pick a color like this. Lavender is soft enough to feel more wearable than costumey, and on this cut it works because the layers are simple and the shape is classic. The framing pieces catch light and are great for highlighting her cheekbones, which is exactly where you want it. Fine hair works well for this color because it keeps the overall effect more airy than heavy. Lavender is the honest truth that fades and the upkeep is real. You’ll want a purple toning shampoo and a good relationship with your colorist, but the result when it’s fresh is beautiful.
#37 Wavy Shag with Bangs That Soften Everything
The bangs are light and look like a curtain slightly ajar, which brings a new perspective to the cut. The mid-lengths and waves of the cut give the hair fullness without the need for excessive styling. This type of haircut means that a good shower and a great conditioner does about 90% of the styling; the rest of the work is just letting it be. For someone like her whose hair is starting to thin, this cut is perfect as it gives a more voluminous look, especially with the layers.
#38 Silver Shag with Understated Elegance
The styling done with the color creates a beautiful effect and the silvery tones are muted perfectly, it has a classy effect to it. The colorist executed the silvery tones very well. The layers look great, and the movement is just right – it doesn’t look like a big solid sponge. This length is definitely good for this color because it makes me see the color shifts and how the light plays. This is an elegant style that doesn’t try to be overly complicated. I like the self restraint in a style, it’s very sophisticated. The ends should be kept fresh with a shear every 6-8 weeks to maintain the look.
#39 Rich Red Layered Shag with Real Presence
Red is a striking and lively color that brings warmth to any look. The cut is done really well and the layers are super nice. It feels like the perfect amount of weight was removed to allow the hair to move freely, yet still keeping the fullness medium to thick hair provides. The maintenance on the color will be every 4-5 weeks and a color protecting shampoo will be necessary to keep the color from becoming dull. This style is ideal for oval and round face shapes because of the framing pieces that add vertical lines to the face.
#40 Wispy Bangs on a Clean, Lightweight Shag
I like how peaceful this haircut is. The wispy bangs soften the forehead and the layers are really soft. There may look to be no layers, but there is movement and is a really nice touch. On fine, straight hair, the soft layers are even more important. This cut looks as though no effort has been put into it. It has a really nice look for a Tuesday afternoon.
#41 Bouncy Layers That Play Up Natural Curl
This haircut is ideal for people with natural waves or curls. The layers are cut to help each curl pop. The front pieces at the jaw soften the face in an atypical but flattering way. They also make the length sit just above the shoulders which is smart because it will give enough weight to the curls to keep them in check but is still short enough to permit some movement. I think this haircut is only good on days 1 and 3 with the potential need for a touch-up on day 2. You just need to a quick scrunch and some curl defining spray then add a little water to set it.
#42 Layered Shag with Sun-Touched Highlights
All the highlights seem perfectly placed to look natural. As if she spent the summer by the ocean. That is real talent to match highlights like that. The layers framing her face make it look super soft and the whole shape is so relaxed it almost looks styled. The length is just below the shoulders which is super versatile making it easy to either wear it down or shove it into a low bun if you want to get it out of the way. Hair like this, medium to fine, does really well with layering because it gives so much texture to the point where you wouldn’t notice how soft it is. Maintenance is easy if you’re not battling with humidity.
#43 Copper Waves with Depth and Life
Copper colors can easily go too flat or become too orange, but this one really nails it! The waves really show the depth and the colors are darker at the roots and richer throughout the mid-lengths. The layering gives it an airy lightness that, combined with fine to medium hair, helps to avoid any ‘helmet head’ volume. Full and fluffy is the ultimate goal! Just a heads up, copper tones naturally come with some frizz, so I would suggest packing an anti-humidity spray. Overall, this cut and color combination looks amazing in person and photographs great too!
#44 Soft Textured Layers with Natural Movement
I would describe this cut as well behaved and I mean this in the best way possible. The soft, natural looking layers give movement and swing without the wearer having to put in a ton of effort. The length is generous past the shoulders but it won’t weigh you down. With fine hair, the layering here is just enough to create the illusion of more hair, without actually removing too much. It’s a thoughtful balance to achieve with the shears. This shape would particularly suit oval and heart faces, but to be fair, it’s hard to see who this cut wouldn’t suit.
#45 Effortless Waves on a Relaxed, Mid-Length Shag
The waves look like the kind of waves you get after you braid your hair and sleep on it. That’s the point of the style. This cut is also super versatile and looks good for any occasion, whether that’s grocery shopping or dinner. The length is just below the shoulder, and this length adds to the practicality of the haircut. There is nothing that needs to be adjusted about this cut aside from the fact that loose waves on hair this fine may take more time than the average person would expect. A little honesty goes a long way in the consultation chair.
#46 Auburn Layers with Warmth and Polish
I would consider this color perfect for the fall because it’s warm without going into a range that would clash with more mature skin tones, and it creates visual interest with the layers. There’s volume here that suggests this was styled with intention, perhaps a round brush blow-dry paying special attention to the roots, and the end result is polished without being stiff. On fine to medium hair, this amount of layering creates enough movement to keep things interesting without too much thinness showing. An hydrating treatment mask would keep that shine up if the ends start to feel dry from the color.
#47 Silver Shag with Bangs That Brighten the Face
I find it enjoyable how some clients can show up with silver hair since it can look really striking with the right cut. In the photo, we can see bangs that are quite fine and light. However, she has great geometry in the face. The silver finish also helps reflect light and emphasis on the eyes and cheekbones. With this level of cut, I also really appreciate the more delicate effect on med density and fine hair. Maintaining that shade of silver is a big commitment. You’re talking about regular toning appointments and special products to prevent it from getting brassy, but the results are definitely worth it.
#48 Balayage Shag with Soft, Face-Framing Bangs
The most ideal kind of balayage, in my opinion, is the more subtle approach. It is a very soft hand-painted lift that establishes depth and dimension but keeps it soft and natural enough that it does not expose any harsh lines. With this type of balayage, it is hard to identify where the color shifts actually are. That being said, the bangs are good for this face shape because they provide a nice frame without covering and the layers give just the right amount of volume and fullness that the hair is fine. The cut being below shoulder length means it will have movement but won’t be too much to manage if there is a lot of hair. This looks like a custom cut and not one from a bulk batch. It is a nice cut.
#49 Long Textured Waves with a Graceful Finish
This haircut creates a clean and intentional style. Using soft waves adds dimension to the haircut, and even un-styled, the hair looks nice. For fine hair, added texture has great benefits, and even when it’s un-styled, added texture looks good. The cut has some subtle face-framing layers to create the illusion of hair that falls beautifully (that’s a lot of work). The haircut is very low maintenance; all it takes is a quick finger comb, a few minutes with some wave spray, and the hair is good to go.
#50 Classic Long Shag with Layers That Do the Work for You
This is such a reliable and great take on the long shag, and I mean it. The layers help fine hair become volumized, and the front bangs are soft enough to grow out gracefully if she wanted to. The length is still practical enough to keep things current without having to follow trends. This is one of the more simple options on this list and is often better to be more wearable, however. This is the type of haircut that fits a Wednesday morning with a coffee in hand, no questions asked.
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