45 Best Hair Cuts for Women Over 70 That Are Everywhere in 2026

A little over 5 years ago, I started to see some shift in the attitudes of my clients. Instead of asking for services that take years of aging away from them, they were asking me to enhance their natural features. This made a big difference to me. Women over the age of 70 who sit in my chair do not want to go back in time, they want to move forward. Unlike many of the younger clients, they have a clearer idea of what suits them and are less likely to be persuaded to do something crazy that will result in constant fighting with their hair.

In my experience with cutting hair for women in the older age group, the ideal approach is to do your best to create the most optimal outcome by utilizing all of your resources. The texture, density, and settled color of your hair are more of an advantage than a drawback. Also, great haircuts at 70 do not need to rely on complicated layers and volumnizing products. What is needed is good proportions and some honesty. Many of my styles will require 5 minutes of styling and some will require 15 minutes, and given your age, I will be sure to explain this more than I would have at 40.

Photos

#1: Loose Silver Shoulder Cut with Lived-In Waves

Notice how the layers start below the cheekbone and kick outward instead of curling under. That’s intentional, and it’s what keeps this from reading as a traditional set. The cut sits right at the collarbone with long interior layers point-cut to encourage movement without thinning out the ends. This works if you have medium to thick hair with some natural wave or body you can lean into. If your hair is fine and flat at the root, this will not look like this. The center part exposes the forehead fully, which suits oval and oblong faces, and the face-framing pieces have enough width to balance a narrower jaw. That bright, cool-toned silver reads best on neutral to cool skin tones.

#2 Bright Silver Bob with Tucked Ends and Center-Leaning Part

Notice how the ends tuck slightly inward at the collarbone area, which is not blowout styling but the result of point cutting at an angle that encourages the hair to curve under on its own. That small detail is what keeps this from reading flat. This is a one-length bob with very minimal internal layering, and it works here because the hair has enough natural density to hold the shape without looking limp at the sides. If your hair is sparse below the ears, this exact cut will expose thin spots along the perimeter. Oval and heart faces will love it. Round faces less so, because there is nothing breaking up the width at the cheeks. The silver is clean and cool-toned, almost icy, which means purple shampoo is doing real work here to keep any yellow out. Worth it if you commit to the upkeep.

#3 Swept Brunette Crop with Natural Silver Threading

Notice how the silver isn’t highlighted in, it’s just growing. That’s the whole trick here. The base is a warm dark brunette and the gray is left alone to streak through naturally, which only works when you have enough contrast between the two. Razor-cut layers through the crown give the top that sweeping volume without bulk, and the sides taper close to the ear so the shape stays clean. This is a round face doing well in a short cut because the diagonal sweep of the fringe creates length where it counts. If your face is already long and narrow, this will stretch you further. The density here is medium to thick. On truly fine hair, that crown won’t hold its lift past noon.

#4 Rich Brunette Shoulder-Length Layers with Flipped Body

The flip at the ends is doing real work here, and most people won’t notice why. Those layers are point-cut starting just below the cheekbone, which creates that outward kick without needing a curling iron to force it. This needs medium to thick density. Fine hair will not hold that volume through the crown or keep those ends from falling flat by noon. The warm chocolate brunette is a single process with no visible highlights, which keeps it looking rich but will demand root touch-ups every four to five weeks if you have any gray coming in. Round and oval faces wear this well because the face-framing pieces narrow at the jaw. Square faces should think twice, since the flipped ends add width right where you don’t want it.

#5 Dark Brunette Collarbone Lob with Invisible Layering

Notice how the ends don’t all land at the same spot. There’s internal layering through the mid-lengths that keeps the shape from going flat, but the perimeter stays mostly one length, which is why it reads as polished rather than choppy. This works on medium to thick straight or slightly wavy hair. On fine hair, it will not hold this shape. The color is a deep cool brunette, likely a demi-permanent gloss over natural dark hair, which keeps maintenance low since there’s no visible root line or gray blending to chase. Oval and heart faces will love how the longest pieces fall right at the collarbone and draw the eye downward. Round faces need more movement around the jawline than this cut provides.

#6 Warm Brunette Chin-Length Bob with Wispy Bangs and Pieced Ends

Notice how the ends aren’t beveled under or flipped out, they just stop. That’s razor work, and it gives medium-density hair this lived-in separation without looking like it’s trying. The bangs are thin on purpose, barely there at the temples, which keeps them from closing off a round or oval face. This cut will not work on coarse, thick hair unless you’re committed to blowdrying it down every time. It just poofs. The warm brunette color reads natural here because there’s no visible line of demarcation at the root, which tells me she’s either doing a demi-permanent gloss or her stylist is smart about placement.

#7 Natural Curly Silver Crop with Defined Coils and Tapered Sides

The sides are cut tight enough to keep the shape clean, but whoever did this left real length through the crown so the curls stack and create height without looking forced. That ratio matters. Notice how the silver isn’t uniform; darker strands weave through naturally, giving the whole thing dimension that no colorist could fake this well. This is a wash-and-go cut for naturally coily or tightly curled hair, full stop. If your texture is wavy or loosely curled, you will not get this result. The shape works on oval and heart faces particularly well because the volume sits high, elongating everything. One thing to know: this curl pattern needs consistent moisture or the definition disappears into frizz within a day. The cut itself is low maintenance, but the curls are not.

#8 Warm Brunette Shag with Honey Highlights and Feathered Bangs

Notice the razor work through the mid-lengths. That’s what gives those ends their wispy, separated texture without looking thin, and it’s the reason this cut moves the way it does. This is a medium-length shag sitting just past the collarbone, with heavy layering starting at the cheekbone and graduating down. The honey and caramel highlights are hand-painted over a warm brunette base, blending the gray rather than covering it. If you have medium to thick hair with some natural wave or body, this will cooperate. Fine hair will not hold this shape without daily effort. The bangs are curtain-style, feathered at the temple, and they work beautifully on round and oval faces because they open up the forehead without exposing it completely. This cut demands regular trims every five to six weeks or those layers start collapsing into each other.

#9 Steel Gray Pixie with Long Swept Top and Tapered Nape

Notice how the longest pieces on top are point-cut to fall in one clean diagonal across the forehead, while the sides stay close to the head without looking clipped. That contrast is doing all the work here. This is a medium-density, straight hair cut where the crown has enough length to create movement and the nape tapers tight, and it reads polished without effort on oval or heart-shaped faces. Rounder faces will lose definition because there’s nothing below the cheekbone to create angles. The salt-and-pepper blend has darker strands concentrated at the roots, which gives the illusion of depth without any color work at all, just natural variation left intact. It won’t forgive a cowlick at the crown. If your hair grows forward or swirls, that swept top will fight you every morning.

#10 Polished Silver Bob with Inward Bevel and Side Part

The ends curve inward so uniformly that this was either blow-dried on a round brush with real patience or flat-ironed with a slight rotation at the tips. That bevel is doing all the work here, creating a rounded silhouette that keeps medium-density straight hair from just hanging flat. Notice how the side part sits deep enough to push volume across the crown without any backcombing. This is a strong cut for oval and heart-shaped faces. Round faces will find that the chin-length perimeter and inward curve only emphasize width. If your hair has any wave to it, you will not get this shape without daily effort.

#11 Brunette Shoulder-Length Shag with Silver Blend and Flipped Ends

Those flipped ends aren’t accidental. They’re cut with a razor at an angle that encourages the hair to kick outward, and that movement is doing all the heavy lifting here. This is a medium-density, shoulder-length layered cut on hair that’s naturally straight to slightly wavy, with the shortest face-framing pieces falling just below the cheekbone. The silver is growing in and being left alone, blending into the warm brunette base without any toner or corrective color, which takes confidence. It won’t work on fine hair. You need enough density to hold those layers apart or the whole thing collapses flat against your neck. Oval and heart faces wear this well because the volume sits at jaw level and below.

#12 Warm Brunette Shoulder-Length Cut with Flipped Layers

Notice how the layers kick outward at the ends instead of curving under. That flip is doing real work here, keeping the shape from going flat against the neck and creating width that balances a rounder face beautifully. This is a medium-density, shoulder-length cut with long face-framing pieces razored to land right at the cheekbone, and those interior layers are point-cut to remove weight without losing fullness. The warm chestnut brunette color has subtle caramel pieces threaded through the midshaft that catch light without reading as highlights. It won’t work on fine hair. The flip needs enough body to hold, and without it you’ll get limp ends that just hang. Round brush blowouts are non-negotiable for this shape, so if you air-dry and go, skip this one entirely.

#13 Shoulder-Grazing Layered Silver with Curtain-Swept Fringe

Those face-framing pieces are doing real work here, point-cut so they kick outward right at the cheekbone and open the whole face up. This is a medium-density cut that needs at least moderate thickness to hold those layers without going flat by noon. If your hair is truly fine, this will disappoint you. The coloring is a cool ash blonde woven through natural silver, likely foiled with a toner pull to keep it from reading warm, and it creates a dimension that pure white silver just won’t give you. Oval and heart faces will love how the curtain fringe narrows a wider forehead while the flipped ends add width at the jaw. One thing worth noticing is how the interior layers are shorter than they first appear, building volume through the crown that reads as fullness rather than bulk. Round a brush through those mid-lengths every wash day or they collapse.

#14 Ash Blonde Layered Pixie with Dimensional Lowlights

Notice the lowlights woven through the crown. That’s what keeps this from reading as a single flat tone, and it’s the detail that makes the whole cut work on medium-density hair like this. The layers are point-cut through the top for movement without losing coverage, longer through the fringe and shorter at the nape. It suits oval and heart-shaped faces well. Round faces will lose definition here because the volume sits at the sides rather than the crown. If your hair is coarse or very thick, this specific layering pattern will puff out instead of lying with that easy sweep you see in the photo.

#15 Sleek Salt-and-Pepper Bob with Blunt Perimeter

That bottom edge is doing all the work here. It’s cut blunt at chin length with almost no graduation, which is what gives this bob its weight and that clean swing when she moves. Notice how the part is slightly off-center, not a deep side part, just enough to keep one side fuller than the other so it frames a round face without making it wider. The natural salt-and-pepper blend reads honest and dimensional, with darker strands concentrated near the roots and temples while the lengths go cooler silver. Straight to slightly wavy, medium-density hair is ideal. If your hair is truly fine, this will fall flat and lifeless by noon. There’s no interior layering saving you here.

#16 Flippy Silver Bob with Razored Ends and Loose Side Fringe

Those flipped-out ends aren’t accidental. They’re razored, not point-cut, which is why they kick outward with that specific looseness instead of curling under. This only works on medium-density hair. On thick hair, those ends bulk up and lose the airiness; on truly fine hair, they just look scraggly. The length hits right between chin and collarbone, and the fringe is kept long enough to sweep across without committing to full bangs. Round and oval faces wear this well because the volume sits high at the crown while the sides angle inward toward the jaw, narrowing things where it counts. What I notice is how much movement lives in the back compared to the front, suggesting the layers are shorter through the crown and longer as they fall forward. If you skip blowdrying, this cut will not cooperate.

#17 Layered Salt-and-Pepper Bob with Feathered Fringe

Notice how the darker strands underneath give this cut depth that a fully silver bob just won’t have. That natural salt-and-pepper blend is doing real work here, creating the illusion of thicker hair through contrast alone. The cut itself sits right at ear length with razor-tapered layers that curve inward, which is what keeps the shape rounded and full instead of flat against the head. If you have a rounder face, this will not slim anything. It echoes the shape. On oval or heart-shaped faces, though, it’s genuinely flattering, and that wispy fringe softens the forehead without hiding it. This needs medium density to hold its volume. Fine hair will go limp by noon.

#18 Tousled Silver Pixie with Lifted Crown and Tapered Sides

That crown height is doing real work here. The layers are razor-cut short through the sides and back, then left deliberately longer on top so everything kicks upward and forward with movement. What caught my eye is how the darker roots at the nape create a natural shadow that makes the silver on top read even brighter, almost like a built-in highlight without any color service. This needs medium density to pull off. If your hair is truly fine and flat, you won’t get that lifted texture without product and effort every single morning. Round and oval faces wear this well because the height elongates, but a long narrow face will look longer. Skip it if that’s you.

#19 Voluminous Salt-and-Pepper Ear-Length Cut with Swept Layers

Notice how all the volume lives above the ears and through the crown, while the sides stay close. That’s intentional layering with razor-cut ends to get that swoopy, lifted movement on top without bulk at the perimeter. This only works with medium to thick hair that has some natural wave or body. Straight, fine hair will not hold this shape past noon. The salt-and-pepper blend here is natural grow-out, not a color technique, and it reads beautifully because the darker pieces near the roots give the lighter silver strands dimension they wouldn’t have on their own. Round and oval faces wear this well since the height on top elongates, and the side-swept direction draws the eye diagonally. If you have a longer face, all that crown volume will stretch your proportions further. Skip it.

#20 Wispy Silver Pixie with Choppy Crown Texture

The crown is doing all the work here. Those short, razor-cut pieces standing up at the top create the illusion of density, and if you look closely, the stylist left the layers at the temples longer and wispy to soften the transition toward the ears. That’s intentional and it matters for oval and heart-shaped faces because it keeps the cut from looking too tight around the sides. The natural white silver is left completely uncolored, which is gorgeous on fair, warm-toned skin like this. On cooler or sallow undertones, this same shade can wash you out fast. If your hair is thick or coarse, this cut will fight you. It needs fine to medium texture to get that airy, piecey movement without bulk.

#21 Feathered Silver Pixie with Soft Texture on Top

I love how much you appreciate the craft! The way the top layers have been cut makes it so you don’t have to spend time on styling or use a ton of products to get that effortless look. It’s going to give your hair life because when hair becomes fine, this cut will give the appearance of volume without any bulk. Silver colours are stunning because they offer a better result than any colour correction and do wonders for your complexion. I know trimming sounds repetitive, but in order to keep the shape looking tidy you will have to do them. The longer you leave this hairstyle, the easier styling will get. You’ll definitely appreciate the minimal styling required to maintain this cut. I think it’s going to look best on oval faces, but I’ve adjusted this style on women with more prominent jaws, so it definitely works for them too. Just take out some of the length at the temples.

#22 Chin-Length Silver Bob with Quiet Layering

This is a good option for clients who are looking to be sophisticated, yet still want something low maintenance. The layers are moderate and just enough so that the ends do not feel heavy. This allows for a nice clean swing of the hair as you move. It’s a good length for framing the face without hiding too much, and the silver strands come through looking intentional and not like a haphazard blend. The only downside is that it is not a wash and go style. You can expect to spend about ten minutes with a round brush and blow dryer, and it does require shaping every five to six weeks to keep the hair looking crisp.

#23 Short Curly Crop with Natural Definition

This cut lets natural curls do their thing, which is the point. I have cut this on women whose curls have become looser and softer with age, and it works beautifully because the length keeps everything short and controlled while the texture does the talking. The trick is to cut it dry so you can see where each curl sits. Curls tend to spring up, so this cut will grow out quicker than you think. You’ll be back in my chair sooner than with a straight pixie, but don’t worry, in the meantime it takes care of itself. I wouldn’t steer someone with very flat, limp hair this way. You need at least some wave for it to read the way it should.

#24 Wavy Bob That Builds Thickness

This style of cut is perfect for people who mention that they used to have thicker hair. Depending on how you style your hair, the wave pattern can create the look of fine hair that is twice as thick. The layers are super light and are placed mostly around the face and towards the ends so it doesn’t feel heavy or dated. My advice would be to get a texturizing spray that will help the waves to not fall flat by the afternoon. I know how annoying it can be to have a lot of products for your hair, but only one texturizing spray is actually going to help a lot, especially if it’s humid.

#25 Silver Bob with Gentle Face-Framing Layers

I describe the cut as a bread and butter cut. It’s a style that gives a clean look without too much effort, which is very much the intention for a lot of clients in their seventies. The layers fall from the cheekbone and softly towards the chin which gives a nice overall frame and stops it from looking boxy like a blunt bob does on finer hair. You really only need a little mousse through damp hair before drying it. With chin length bobs, maintenance is key. You should come back every five weeks because once the shape goes just a little bit, it alters the whole look.

#26 Layered Pixie with Built-In Volume

There are two looks with this haircut – the effortless and the serious. All the interior layers are doing the heavy lifting, creating height and movement through the crown without teasing or backcombing. I’ve cut a lot of these and the clients who love them most are the ones who were most nervous about going this short. It’s great for opening up the face, especially through the cheekbones, more so than longer styles do. A tiny bit of styling cream warmed up in your palms and worked through it damp is the only product step. Regular trims every four to five weeks are what keep it sharp.

#27 Curly Silver Crop with Soft Definition

This is somewhat similar to the natural curl crop I mentioned earlier; however, the technique used is a bit different. Here, we have softer curls; the waves and curls are more blended. The shape of the cut allows for air underneath, rather than the cut hugging the head. This is a relaxed, modern look and I think this is harder to achieve than most people think with short hair. If you have fine hair, you’ll likely want to use a curl cream or light hold gel to avoid looking fuzzy by midday. Aside from this, the morning routine, including product, is under five minutes.

#28 Textured Bob with Layers That Frame Without Closing In

Bob styles that keep the ends from looking too blunt and create a more flowy appearance as well as a more dynamic look to the overall bob style are my favorite. I also think the length of the bob is vital. It is slightly overlooked when the ends of the hair sit at the shoulders. Many think that length looks awkward as it is seen as an in betweeng. However, when a bob is styled just above the shoulders, it is far better than a true short cut, and it actually creates a greater variety of styling options. When finished you can do a lot more with the bob than just let it fall forward. You can push it back, tuck it behind your ears, or let it fall forward. If you decide to get a light balayage, it would create some brightness in the hair without the commitment of a full dye. However, there is also nothing wrong with just leaving it as is.

#29 Gray Bob with Soft Bangs at the Jawline

We can agree bangs can be difficult to master when you are over 70. The hair also needs to be styled daily and this is where this example is great. The bangs are soft and parted instead of bluntly cut straight across and can be nice for days you do t want to do the hair. The bob cut also finishes at the jawline which helps to keep it balanced. This cut removes the hair so you won’t feel like you have too much for the flat look.Some products with buildable hold foam and a blow dry for added volume at the root is great as well to keep height where you want it.

#30 Shoulder-Length Curls with Soft Layering

My client has had her hair down to her waist for many years. When she turned 72, she decided to go for a haircut to her shoulders with some soft waves to bring out her natural waves. When she saw the haircut, she cried because it reminded her of old pictures of herself as a young adult with beautiful silver waves that she used to have brown hair. What I loved about this haircut was that it had a lot of meaning to her. It was definitely not the most complex or artistic design, but the value added to the individual was the most important thing and I feel like that is what will make this style easy to maintain. Most people think that their fine hair won’t hold a lot of curl but you may be surprised at how curly it ends up being. This is the kind of style that you won’t have to do a lot of work to and a lightweight curl cream will become your best friend to help you keep the ends trimmed because that will naturally lead to a lot of great curls.

#31 Silver Bob with Dimension Through Subtle Layering

I’d say this is a more toned-down take on a layered bob, which to be honest is the one I would go for. The layers in this style are so subtle that you don’t even notice them until the hair starts to move and then you start to see the depth that is being created. It’s the difference between hair that looks like it is sitting there and hair that looks like it is alive. The silver is so beautiful and if you are thinking about adding to it a gloss treatment will enhance your hair shine without changing the color at all. It’s moderate maintenance, those layers will need to be cleaned up regularly or they start to blend together and you lose the effect.

#32 Long Layered Silver with Gentle Movement

I won’t say that long hair at 70 is the best option, but it works in some cases. If you have the hair, the thickness, and commitment to keep it, I think this long layered cut can be great. The layers are face-framing and are soft enough at the ends that they won’t weigh you down and drag down your face. More than most other cuts, this one will take more maintenance, regular trims and a good conditioning are necessary. If you want it to look polished like this picture, some heat styling will be required. If this sounds like a lot to deal with, that’s totally fine. You’ll have a stunning cut to work with if you enjoy the process.

#33 Textured Bob with Soft Wave and Body

The wave in this bob makes fine hair look like medium hair and that’s the beauty of good texture—it changes the perception of density without any fakeness. Most face shapes can pull off the chin length and the movement helps it not to look stiff and overly styled. I wouldn’t recommend this same approach to someone with thick or coarse hair, as you’d be fighting the volume and it would end up looking puffy instead of airy. This is a cut that’s built for finer textures and it knows it.

#34 Stacked Silver Pixie with a Longer Swept Fringe

This pixie cut is amazing! I really want to point out the side fringe. It’s so cute and works great with glasses! People ask me if short haircuts look good with glasses and THIS is the haircut I would show them. The graduated layers in the back give great volume without being too much. There is good balance with the fringe because enough hair was left over. If you have coarse hair or a really strong cowlick at the hairline your hair may not sit as nicely so talk to your stylist about that before you go for it. A lightweight matte paste will give you separation and hold without any stiffness.

#35 Choppy Short Pixie with Brightness Through the Face

This chop really gives the cut energy. A lot of older women’s pixie cuts play it safe and don’t have this much attitude. The lightest color around the face will reflect light and draw the eye up which is usually the goal. Just be aware that this color will require frequent touch ups to stay fresh. If you like the option of being able to pull your hair back or do different hairstyles, then this short of a pixie cut is going to remove that from your options completely. You will be committing to this look – and it is a good one! But it is definitely a commitment.

#36 Gray Lob with Soft Bangs and Natural Texture

This lob is versatile; it is long enough to tuck behind the ears or pin back on one side but short enough that it won’t overwhelm a smaller frame. The bangs are soft and wispy rather than graphic and grow out gracefully. I appreciate that about this cut. Nothing about it locks you in. The natural wave in the hair creates volume on its own. If your texture is similar, you won’t need much styling beyond some scrunching with product while it’s damp. Natural waves do the work of having volume for you. The cut is made for freedom and ease and I think that is a great quality to have in a style. Bangs trims every six weeks will help maintain the overall shape of the cut.

#37 Curly Shoulder-Length Cut with Real Body

If your hair is curly and has a lot of volume, this is a style that allows you to utilize those features instead of managing them. The layers are cut to match the curls, which helps eliminate frizz on the ends of the hair. It is best for medium to thick hair, and it is not recommended for fine hair as you would lose all the definition. The upkeep is a lot less than you would expect for a curly hairstyle. The secret is knowing how to apply your product to wet hair and leaving it to dry. Most people struggle with that, leaving it to dry.

#38 Textured Silver Crop Just Above the Shoulders

This hairstyle combines elements of a bob and a pixie cut. It’s short enough to be bold but it keeps a certain versatility with the length. The highlights seem to target more depth than brightness. With silver hair, that’s a good call because you don’t want it to look too blonde. The silver now appears to have natural variation. The waves look easy, whether they’re natural or styled, a quick scrunch with some sea salt spray can make it effortless. This length is especially good for rounder faces as it tends to be very flattering and elongates the face.

#39 Gray Bob with Movement and Modern Shape

I’ve cut plenty of bobs, and what makes one look modern and what’s makes one look dated is almost always down to how much interior layering is done. From the outside, this looks like a classic bob in-and-out bob that is above the shoulders, but the interior layers are what create the movement as the hair swings. Without interior layers, the hair would just look solid. The gray tones are cool and sophisticated, and combined with layering, the overall look is modern without being too trendy, which is the sweet spot. You will need to come in regularly for trims to keep the layers looking fresh.

#40 Feathered Silver Shag Just Off the Shoulders

While the younger clients want a shag right now, this one is more interesting to me. It is adapted for finer texture, and cut with more control through the layers. The light feathering gives an airiness that shags don’t have. It keeps the focus on the face but doesn’t give that curtain effect that can close off the look. This style will be effortless on oval and heart shapes. The silver also adds to the lightness of the whole look. For styling, a round brush and heat, flicking the ends out for the feathered finish would be all you need.

#41 Silver Lob with Soft Waves and Easy Versatility

I like this lob’s casual vibe. The waves aren’t perfect which makes it more relatable. It feels more natural and less salon-y, which is more suited for 70 yo than anything fussy. The length gives you options straight, waved, or let your natural texture show, and all three will look great. The silver is cool and flattering to most skin tones. My only comment is that those with fine hair may need help to hold those waves all day; a light flexible hold spray should do the trick and won’t feel crunchy.

#42 Chin-Grazing Bob with Feathered Ends and Built-In Depth

This is a technically precise cut and I want to talk about why that is important. The ends that are feathered are point cut to create that soft, inward tuck at the chin, and the subtle root shadow depth without needing to sit in a chair for two hours getting full color. Smart hairstyling. The tuck does depend on blow dry with a round brush though, so if you aren’t willing to do that most mornings, the shape won’t hold the way you see it here. For straight to slightly wavy hair, this is a beautiful, clean option. If you have tight curls or very coarse texture, this particular silhouette will work against your hair rather than with it.

#43 Chin-Length Silver Bob with Feathered Movement

The point cut finish on this offers that quality which razor cutting sometimes does and sometimes doesn’t (promise) that soft broken up edge that moves with the hair and has no solid edge. The ashy silver with what seems to be a slightly warmer band running through it adds depth without heavy dye work = low commitment on the color side. You’ll need some kind of finishing product to manage flyaways (texturizing spray or light cream) but the cut is doing the most work. If you have a natural wave you can diffuse it and lean into that, or blow it smooth for a different feel on different days.

#44 Rounded Silver Bob with Side Fringe and Smooth Silhouette

What makes the bob stand out is its shape. From the side view, you can see how sleek and rounded it is. This shape is achieved through some soft graduations at the nape and also from layers placed in the shape versus on top of it. The side fringe is soft enough to blend in on styling days, and structured enough to look done when you style it. I’ll be honest, this requires a blow dry to look like this… every time. If you’re okay with that, it’s a beautiful professional cut that is suitable for anything from a Tuesday morning errand to a wedding. If daily blow dries aren’t your thing, I would suggest one of the other more textured options on the list.

#45 Cropped Silver Pixie with a Short Textured Fringe

I think this is as short as you can go and still have some design to play with, and it is eye-catching. The micro fringe is a bold choice and I commend it. That said, it is not for everyone. It can look amazing, even sculptural, if you have a strong forehead or a pronounced brow bone. If your hairline is uneven, or if you have a cowlick in the front, it is going to be an everyday battle. The tapered nape is clean, and the feathering through the top stops it from being too masc or too severe. A matte paste in a small amount (less than you think you need) will give you texture and separation without shine or weight.