There’s something about a bob that makes people assume it’s simple, and I think that’s exactly why it works so well on women who’ve been around long enough to appreciate simplicity that actually takes some thought. I’ve had clients sit in my chair convinced they needed something dramatic to feel like themselves again, and more often than not we’d land on some version of a bob. Not because it’s safe, but because it has this way of catching up to whoever’s wearing it.
I remember a grandmother who came in years ago, hadn’t changed her hair since her youngest was in elementary school. She kept saying she wanted something “appropriate,” and I kept asking her what that meant to her. We ended up doing a chin-length bob with a little texture through the ends, nothing wild, and she cried when she saw it. Not because it was transformative in some movie-makeover way, but because she said it looked like her again. That stuck with me. The best bobs don’t reinvent you, they just clear away whatever’s been in the way. And the range of where you can take them, from soft and rounded to sharp and architectural, that’s what makes this cut endlessly interesting to me, especially on women who know exactly who they are and just want their hair to keep up.
#1: Silver Curly Layered Bob with Natural Crown Lift
This one genuinely makes me happy to look at. You can tell it was cut dry, curl by curl, because every ringlet has its own space and nothing is fighting for room. The layers around the face are short enough to really open things up at the cheeks, and whoever cut this understood that her crown whorl is doing half the work for volume so they just let it. On hair like this, with that loose ringlet pattern and decent density, the shape almost styles itself if you’ve got the right curl products in there. A diffuser on low helps, but honestly the cut is doing the heavy lifting.
#2 Mocha Chin-Grazing Bob with a Little Side Fringe Action
The thing I notice first here is how the length hits right at the chin and gives this really clean frame without feeling severe at all. That tiny micro-fringe on the side is doing something subtle but it matters, it breaks up the line across the forehead just enough. The interior graduation keeps everything feeling full through the mid-lengths even though the hair itself isn’t particularly thick. If you’ve got straight hair with some fine-to-medium texture and you want something that looks put together without a lot of effort, this is a solid direction. You’d want a round brush blowout to really get that shape to hold, but it’s a quick one, nothing involved.
#3 Ash-Chestnut Babydoll Bob with Wispy Curtain Fringe
I keep coming back to how effortless this looks when it’s actually a pretty considered cut. The point-cut ends let the natural wave do its thing without getting poufy, and that little curtain fringe is just barely there, more of a suggestion than a commitment. The crown has a small center whorl that’s giving her all the lift she needs, which is one of those things where if the stylist notices it and works with it, you save yourself a lot of fussing with root lift products later. Still going to need a trim on that fringe more often than you’d think to keep it looking soft instead of scraggly.
#4 Chestnut Neck-Grazing Bob with Natural Wave
This is one of those cuts that photographs well because it’s not trying too hard. The layers are doing just enough to lift the wave pattern without creating a bunch of separate pieces, and there’s a nice bit of silver peeking through at the temples that honestly looks intentional even though it’s just her natural gray coming in. If your hair has a similar wave pattern and medium density, this kind of cut basically styles itself with some light mousse and a diffuser. It’s not going to be the cut that gets the most dramatic reaction, but you’ll feel good every morning and that counts for more.
#5 Feathered Short Bob with Crown Lift and Gentle Fringe
There’s a feathered quality to this bob that I really like, where the ends aren’t blunt but they’re not wispy either, they have this deliberate lightness. The stacking at the crown creates volume right where you want it, and the fringe is gentle enough that it doesn’t overwhelm her features. On straight to slightly wavy hair this shape is going to cooperate nicely, though you’re committing to a daily round-brush session to get that smooth finish. One thing I’ll say is that this particular silhouette really shows off earrings and necklines, so if that matters to you, pay attention to this one.
#6 Rounded Shoulder-Grazing Bob with Soft Crown Lift
This sits a touch longer than most of the bobs here, grazing the shoulders, and the rounded shape gives it a different energy. More relaxed, a little bit ’70s in the best way. The root melt blending her chestnut with the incoming gray is well done, not stripey, just warm. Her crown whorl is giving natural lift and the interior graduation keeps the bottom from getting heavy. You’d need a round-brush blow-dry to keep that inward curve happening, but it’s the kind of shape that still looks decent on day two if you’re not precious about it.
#7 Glossy Brunette Blunt Bob with Short Baby Bangs
Okay, this one takes some nerve and I respect it. Those short wispy baby bangs are a choice, and they’re working here because the rest of the cut is so clean and deliberate. The blunt perimeter with just a little internal taper lets the ends tuck under without looking like a helmet, and the overall effect is very modern, almost editorial. I’ll be honest though, this bang length will highlight forehead lines rather than hide them, so you have to be at peace with that. And they need attention every single morning, there’s no skipping it.
#8 Dark Brown Rounded Chin-Grazing Bob
This is a really well-executed foundational bob. Nothing flashy, just precise cutting that lets the shape speak for itself. The way it hugs the jaw is exactly right for her face, and the tapered ends give it that gentle inward movement without looking too done. Her crown has a natural whorl doing the volume work, which means less product and less fussing. It’s the kind of cut where you appreciate the craft more than the drama, and for some people that’s exactly the point.
#9 Short Curly Tapered Crop with Temple Sweep
I gravitate toward this one because it’s so clearly cut by someone who understands curly hair. The graduation and tapered nape are boosting curl clumping rather than fighting it, and you can see the curls have room to spring without getting tangled up with each other. This was dry-cut, which is the only way to go with this texture if you want the shape to make sense when it actually dries. A curl defining product keeps shrinkage in check and the frizz manageable, and beyond that it’s pretty low maintenance for how good it looks.
#10 Feathered Silver Bob with Side-Swept Face Framing
The razor texturizing at the ends gives this a softness that you can’t get with shears alone, and on gray hair that softness matters because silver can sometimes read a little stark without it. The jaw-length hits at a flattering point and those interior layers create just enough lift without making the whole thing feel layered in an obvious way. She’s got some babylights at the temples that break up the solid silver, which is a smart move for making regrowth less of an event. You do need to commit to the round-brush styling though, or it loses that angle pretty fast.
#11 Pearl-Silver Chin-Grazing Bob with Lifted Crown
The pearl tone on this silver is beautiful, it has a luminosity that straight gray doesn’t always achieve on its own. The stacking at the nape and the feathered face-framing layers create two different things happening at once, structure in the back and softness in the front, which is harder to balance than it looks. That side pivot at the crown is doing the volume work, and on fine-to-medium hair it’s giving the illusion of much thicker hair. Needs a blowout to look like this, but the architecture of the cut means it’s a forgiving blowout, not a perfect one.
#12 Chestnut Layered Bob with Lifted Crown and Soft Sweep
I like the warmth of this one. The chestnut color has some subtle lowlight dimension that gives it richness, and the crown lift is deliberate enough to see but not so much that it looks like she’s trying. The vertical point-cutting through the interior is what keeps it from getting bulky as it grows out, which is one of those technical things that makes a real difference in how often you need to come back for a trim. Daily blowout territory though, so you have to be okay with that rhythm.
#13 Tousled Silver Bob with Wispy Side Curtain
What I appreciate about this is how unfussy it feels. The tousle is genuine, not manufactured, and the point-cut ends have that lived-in quality that’s hard to achieve if the cut isn’t right underneath. That brighter streak at the temple is her natural pattern and it’s functioning as a highlight without anyone having to paint it on, which is one of those happy accidents that I always point out to clients because it means you can skip that foil appointment. A texture spray is probably all you need to style this, and the wispy curtain fringe just needs a trim when it starts poking you in the eye.
#14 Polished Silver Bob with Side-Swept Fringe
This is the polished version of a silver bob, every hair knows where it’s going. The internal stacking creates volume at the crown and that long side-swept fringe does a gorgeous job of softening the cheekbones without hiding them. It’s sleek and intentional and looks like she stepped out of an Italian film. That subtle asymmetric nape tuck keeps the back tidy without being fussy, which is a detail most people won’t notice but the stylist will. Needs a blowout with a round brush and that’s really it.
#15 Center-Parted Bob with Feathered Face-Framing
Center parts can be unforgiving, but this works because the feathered face-framing softens what a center part usually makes harsh. The interior graduation at the nape creates a rounded silhouette from the back that’s flattering, and the horizontal babylights at the temples are doing good work to blend gray and lift the eye area. If you have some crown thinning, this kind of cut actually works in your favor because the light micro-fringe creates the illusion of density right where you need it. Daily shaping required, but it’s quick.
#16 Silver Jaw-Length Bob with Internal Graduation
This is clean, quiet, and confident. The weight line sits right at the jaw and the internal graduation gives it just enough movement that it doesn’t read flat. That long diagonal fringe is elegant in the truest sense. On naturally straight, fine-to-medium hair this cut is going to behave well, but you’ll want a purple toner regularly to keep the silver cool and avoid that creeping warmth. The slightly brighter outer strands give dimension without looking highlighted, ask your colorist for a cool-linen toner if you want to recreate that particular effect.
#17 Silver-White Bob with Textured Micro-Curtain Fringe
The razor texturing on this one gives the ends a quality I can only describe as floating, they’re not blunt, not wispy, just light. The micro-curtain fringe is a smart choice because it gives you the look of bangs without the full commitment, and on an oval face it softens everything without closing things off. Silver-white tones can sometimes go dull on fine hair, so an occasional clear gloss brings back the shine without altering the color. The temple slice is a nice touch for lifting the cheekline.
#18 Feathered Ear-Grazing Stacked Bob with Side Micro-Fringe
Going this short takes trust and a good stylist, and this is a good example of both. The stacked back lifts the profile and the feathered micro-layers keep it from looking like a cap. Internal point-cutting at the crown prevents that helmet shape that shorter bobs can fall into if you’re not careful. The tapered nape is clean without being severe. On mature hair this length can be incredibly freeing, there’s almost nothing to style in the morning. A light texturizer and your fingers, that’s about it.
#19 Silver Inverted Bob with Temple Taper
I find inverted bobs interesting because the longer front pieces create a completely different line than a standard bob, and on this client the way the front frames the jaw while the back lifts is really effective. The internal stacking gives structure and the subtle temple taper prevents that mushroom effect that can happen when the sides aren’t addressed. The faint temple lowlight softening the regrowth line is a thoughtful color detail. Round-brush blowout needed to maintain the tuck, but the cut’s geometry does most of the work.
#20 Textured Silver Bob with Soft Side Part
This one has a beautiful floating quality. The tapered temple pieces and tucked nape create an outline that looks weightless, which on silver hair is really appealing because the color itself has a luminosity that benefits from movement. The natural crown cowlick is being used for lift rather than fought against, which is always my preference. Fine hair will want some root lift product to hold the inward curve, and you’ll need toner maintenance to keep the cool gray from going brassy, but beyond that this is a pretty easygoing relationship between cut and person.
#21 Layered Jaw-Grazing Bob with Feathered Temple Sweep
This is one of those cuts that’s going to air-dry well, which I always appreciate because not everyone wants to be married to their blow dryer. The interior razoring creates texture that works with natural wave rather than smoothing it out, and the feathered temple sweep frames without fuss. The apex lift gives crown volume that looks natural. If your hair tends to pull warm, a demi-tone will keep things in check. Those outward-flicked ends when styled give it a casual movement I like.
#22 Modern Silver Angled Bob with Sweeping Side Lengths
Angled bobs are one of those shapes that I think suit more people than realize it, because the longer front pieces create an automatic face frame while the shorter back keeps everything feeling fresh. This one has a deep side part that creates drama without effort, and the gentle interior graduation at the nape means it tucks and moves without bulk. On silver hair the angle really catches light in a way that a uniform length doesn’t. The defined part will show regrowth, but that’s a small trade-off for the shape.
#23 Rounded Chestnut Bob with Soft Side Part and Silver Peek
There’s something about a rounded bob in a warm chestnut that just feels right, it’s one of those combinations where the cut and color are doing the same thing, which is creating softness. That thin silver line at the part could read as regrowth on a different cut, but here it almost looks like an intentional accent. The interior graduation keeps the bottom from getting heavy and the jaw-length adds horizontal balance on a longer face. This is a low-drama, looks-good-every-day kind of cut.
#24 Silver Textured Lob with Face-Framing Curtain
Going a bit longer here with this shoulder-grazing length, and the curtain part combined with the point-cut layers gives it a softness that I find really flattering. The natural wave is being enhanced rather than straightened, which gives it that air-dried texture that looks effortless. On cool silver hair the movement catches light beautifully. The delicate temple wisps soften the profile in a way that I think gets overlooked as a styling detail. It does need some attention to avoid getting heavy at the ends, but a loose iron or round-brush session handles that.
#25 Silver Chin-Length Bob with Bright Temple Accents
Those bright temple accents are doing something really interesting here. They create a luminous frame right around the face that draws attention to her eyes and cheekbones, and the interior stacking gives crown lift without the hair looking layered in an obvious way. On fine-to-medium silver hair this kind of strategic brightness adds dimension that you can’t get from the cut alone. The catch is that those lighter temple pieces and the part will show regrowth quickly, so you need a good root-blend strategy or a colorist you see regularly.
#26 Blunt Chin-Length Bob with Root Shadow
Blunt bobs are one of those things that look deceptively simple but really depend on precise cutting. This one has a strong perimeter line that gives the jaw a clean frame, and the root shadow adds depth so it doesn’t read flat. The halo-lightening at the part is a smart move for creating dimension without a full highlight. On fine to fine-medium hair, the apparent fullness this creates at the chin level is worth the daily blowout commitment it takes to keep that undercurve crisp.
#27 Rounded Stacked Bob with Babylights
The fullness on this one is genuinely impressive for fine-to-medium hair, the stacked graduation and internal layering are creating volume that looks natural rather than styled into existence. The feathered face-framing babylights add warmth without weight and the temple sweep is soft. I can tell there’s a small cowlick at the crown that was managed with the layering rather than fought, which is always the right call. You need a round-brush blowout or some hot tool work to get this level of polish, but the cut makes that process faster than you’d expect.
#28 Brunette Layered Bob with Soft Side Fringe
The warm brunette tones with subtle lowlights give this cut a richness that makes the layers really read. The crown lift comes from the interior graduation working with her natural growth patterns, and the feathered ends keep the perimeter from getting boxy. That side fringe is readable, meaning it’s clearly there but not demanding, and it softens her face without hiding anything. Needs blow-dry shaping and a light root lift for the crown cowlick, plus fringe maintenance, so there’s a bit of upkeep here but nothing unreasonable.
#29 Icy Silver Stacked Bob with Face-Framing Sweep
The cool tone on this silver is really well maintained, it’s icy without being harsh, which is a line that’s harder to walk than people think. The stacking creates immediate lift at the crown and the long face-framing sweep draws the eye along the cheekbones in a way that’s really flattering. The inward curve at the perimeter makes the whole thing feel finished. Precise stacking is key here because any imprecision at the crown or around a cowlick is going to show on hair this color and texture.
#30 Polished Stacked Bob with Natural Gray Blend
I like how the color work on this one uses lowlights and a brown gloss to blend the silver rather than cover it. That thin silver line at the center part becomes a feature rather than something to hide, and it gives the stylist a cutting cue for where to place the graduation. The stacking creates lift and the sleek inward curve at the perimeter is polished without being stiff. Heat styling is part of the deal here to keep that undercurve, and periodic color to maintain the blend, but the result is put-together in a way that looks natural.
#31 Ash-Blonde Stacked Bob with Curtain Face-Framing
The center-part curtain fringe combined with the stacking creates two things at once, softness at the face and structure at the back. The ash-blonde babylights with root-melt are blending gray in a way that doesn’t look like you’re trying to hide anything, more like you’re just warming the overall tone. On fine-to-medium hair the interior graduation gives the illusion of much more density than is actually there. Needs a round-brush blow-dry and periodic color blending, but neither of those things is particularly involved.
#32 Soft Copper Textured Bob with Lifted Crown
Copper is such an underused color on mature women and I genuinely wish more people would try it. It warms the skin in a way that cool tones can’t, and on this particular cut the internal graduation and stacked nape create lift that makes fine-to-medium hair look like it has twice the body. The point-cutting and razor-dusting give the ends an airiness that prevents the bob from looking like a solid mass. There’s a center cowlick that’s been cleverly redirected into the side sweep. The copper will need regular gloss maintenance to keep it vibrant, but it’s worth it.
#33 Bouncy Layered Bob with Deep Side Pivot
The bounce on this is real, it’s coming from the interior graduation and the point-cut feathered ends working with her natural wave pattern. The deep side pivot creates volume on one side that feels intentional and a little glamorous. The painted lowlights add dimension to the gray without looking stripey, which is always the goal. You’re committing to daily blow-dry or diffuser work to hold this shape, and that concentrated silver panel at the part needs careful lowlight placement to look deliberate rather than grown out.
#34 Beige-Blonde Graduated Bob with Feathered Side Fringe
I notice the diagonal part first on this one, and it’s doing something really nice for the cheekbone, lifting the whole face slightly on one side. The soft beige-blonde tone is flattering without being obvious and the interior graduation creates fullness that fine hair doesn’t naturally have. The feathered side fringe blends into the face-framing rather than sitting separately, which gives it a cohesive look. Quick round-brush blowout to set the inward curve and fringe, and you’re done.
#35 Angled Bob with Deep Side Part and Interior Graduation
This is a well-structured cut that does a lot of work quietly. The angle from back to front creates movement and the stacked nape tucks the ends under for that rounded silhouette that looks more expensive than it is. On fine-to-medium gray hair the apparent density this creates is significant, and it masks temple thinning without drawing attention to it. The cool root melt softening the regrowth is a detail that extends the time between color appointments, which I always appreciate recommending.
#36 Chestnut Face-Framing Bob with Micro Graduation
Micro-graduation is one of those techniques that doesn’t sound dramatic but makes a noticeable difference in how a bob moves. On this cut it’s creating lift at the crown without obvious layers, and the interior stacking with point-cut ends keeps everything feeling light. The chestnut tone blends the temple grays naturally and the side-swept face frame softens the jawline. There’s a temporal cowlick that was addressed with angled internal layers so the part sits flat, which is the kind of problem-solving that separates a good cut from a great one.
#37 Rounded Chestnut Bob with Lifted Side Volume
What catches my attention here is the side volume. On coarse, slightly wavy hair, getting volume to go where you want it rather than everywhere at once takes specific layering, and this stacked graduation does that well. The natural silver streak at the temples was used as a placement anchor for the color, which means the grow-out is more forgiving than a typical single-process. Needs daily blow-dry shaping and a periodic root-blend glaze, but the result tames frizz and adds fullness in a controlled way.
#38 Crisp Silver Bob with Long Side Sweep
There’s a crispness to this bob that I find really elegant. The long side sweep creates a beautiful line from the part to the jaw, and the internal graduation at the nape produces that inward curve that makes everything look intentional. The natural lighter front streak provides built-in face-framing brightness that flatters the skin tone without any color work at all. Daily round-brush styling and periodic glossing to maintain the cool silver, but on someone who enjoys the ritual of doing their hair, this is a rewarding cut to maintain.
#39 Glossy Rounded Bob from Salt-and-Pepper Transformation
I find transformations like this really satisfying. Going from a grown-out, mid-length salt-and-pepper with a pronounced white center stripe to this polished rounded bob with a low-lift brown gloss is a significant change that still honors where the hair naturally wants to go. The internal graduation and soft face-framing layers create lift at the crown and a flattering cheekbone pivot. The gloss and root-smudge will need periodic refreshing to stay seamless, and the inward curve requires a round-brush blowout or smoothing iron, but the result is genuinely lovely.
#40 Warm Chestnut Stacked Bob with Face-Framing Layers
On coarse, high-density, naturally wavy-to-curly hair, the biggest gift a stylist can give is removing bulk in the right places, and this cut does that. The internal graduation and face-framing layers tame without flattening, and the root-shadow gloss blends gray with a softer regrowth line than a traditional single-process. The warm chestnut suits her skin and the stacking lifts the crown where it matters. Daily shaping is part of the deal with porous ends, and the color will need regular refreshing, but the payoff is a controlled shape that still feels natural.
#41 Layered Shoulder-Grazing Bob with Feathered Fringe
Working with a crown cowlick and preserving the natural silver temple streak rather than covering it shows good instincts from whoever did this cut. The feathered fringe opens the face and the internal graduation at the nape creates body and movement that straight, fine-to-medium hair doesn’t always have on its own. The shoulder-grazing length gives you enough to pull back if you want, which matters. Daily round-brush styling with a lightweight root lift keeps the fringe and inward curve in shape, and that’s really the extent of it.
#42 Rounded Bob with Curtain Face-Framing and Root-Smudge
The root-smudge on this one is really well blended, it creates depth at the crown that makes the hair look thicker than it is. The curtain face-framing and point-cut ends give it movement without losing the rounded shape, and the small clockwise crown cowlick was used for gentle lift rather than being fought. On fine-to-medium straight hair this creates body and brightness right around the face. A thermal round-brush blowout holds the inward curve, and very fine, limp hair might need some added internal layering or a root-lift product to really hold the shape throughout the day.
#43 Rounded Jaw-Grazing Bob with Long Side-Swept Fringe
The long side-swept fringe on this one has a sophistication to it that I keep coming back to. It sweeps across without covering, and the rounded bob shape underneath is clean and well-proportioned for her face. On fine-to-medium, low-density silver hair, the internal graduation and subtle stacking at the nape are doing important work to create fullness that isn’t naturally there. I’d finish with open-shear texturizing at the ends for movement, a smooth round-brush blowout, and a soft root tone for dimension.
#44 Feathered Chin-Grazing Bob with Lifted Side Sweep
The controlled fullness on this one is what interests me. On wavy, loose-curly texture it’s easy for volume to go everywhere, but the interior graduation and face-framing layers are directing it where it flatters most. The subtle root-shadow and warm auburn gloss work together to manage curl memory, which is a color-and-cut conversation that doesn’t happen often enough in the chair. Opens the face and softens the jawline beautifully. The trade-off is blow-dry shaping, color upkeep, and careful layering around a small crown cowlick.
#45 Silver Chin-Grazing Bob with Internal Graduation
Sometimes the simplest looking bobs are the hardest to cut well, and this is one of those. The weight line at the chin is clean and the internal graduation creates that tuck at the ends that looks effortless but is very deliberate. The short internal layers manage the crown whorl without disrupting the surface, which is a technical detail that matters enormously in how this dries. Brightens her natural silver, slims the jaw, and works well on oval to heart-shaped faces. Needs a shaped round-brush blow-dry to maintain, and would lose its structure on very thick or tightly curly hair.
#46 Rounded Chin-Length Bob with Internal Layers and Root Shadow
The silver front regrowth on this client is functioning as a built-in highlight, and rather than covering it, the stylist used lowlights and a root shadow to blend it into the overall color story. That’s a smart move that brightens the face and reduces the urgency of regrowth appointments. The graduated nape and feathered ends reduce bulk on her medium-thick, wavy texture without losing the rounded shape. A quick blowout or smoothing iron maintains the shape, and the crown cowlick needs to be managed, but the overall approach here is working with what she has rather than against it.
#47 Silver Side-Swept Graduated Bob with Lifted Crown
I love the depth this gets from just natural color variation. The silver at the temples contrasting with the darker nape creates instant dimension without any color work, and the stacked nape and long face-framing layers give it a graduated shape that’s flattering and modern. The point-cut ends create feathered movement that feels soft rather than sharp. On medium-fine, mostly straight hair this is a great option. It needs a round-brush blow-dry and a light root product to hold the lift, but the color maintenance is essentially just showing up as yourself.
#48 Curved Chin-Length Bob with Side-Swept Layers
The warm brown single-process with subtle lowlights is a good match for this cut, adding richness without competing with the shape. The stacked nape and long face-framing layers create instant lift and a flattering frame, and on fine-to-medium wavy hair the result has real body. There’s a crown cowlick that needs targeted layering to behave, which is the kind of thing that makes a huge difference in whether this style frustrates you or delights you. Round-brush blowout required, but the cut is forgiving enough that it doesn’t have to be salon-perfect to look good.
#49 Graduated Silver Bob with Curtain Fringe
The curtain fringe gives this graduated bob a softness that balances the more structured stacking at the crown and nape. It’s polished without being rigid, which is a line I think a lot of women want to walk but have trouble describing when they sit down in the chair. The blunt perimeter creates crown lift and the internal graduation removes bulk on fine-to-medium texture. There’s a narrow reflective silver band along the part that could be blended with a subtle root-smudge if it bothers you, or left as is because it’s genuinely pretty. Round-brush blow-dry and light styling product territory.
#50 Rounded Bob with Wispy Micro-Fringe
I have a soft spot for micro-fringes because they add personality without overwhelm, and this one is doing exactly that. The chin-length rounded shape with interior graduation at the nape gives perimeter volume that lifts the jawline, and on an oval face the proportions are right. The deposit-only ash-brown glaze neutralizing scattered gray at the temples is a low-commitment color option that I recommend a lot because it adds tone without lifting or damaging. Bangs every four to six weeks and a quick round-brush blow-dry for the rounded shape, and you’re set.
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